Rangotri stands out in the block-printing industry as one of the rare studios where every aspect, from designing and processing to dyeing, printing, stitching, and packaging, is meticulously handled in-house. This approach ensures that we uphold the highest standards of quality and have complete control over the timelines for all our orders. Our adept team is well-equipped to collaboratively design and develop compelling products in partnership with our clients.

Initially, the artwork or design is meticulously drawn onto a translucent butter paper, serving as a guide for the skilled block maker during the carving process. The blocks are intricately hand-carved from wood, with each block demanding 10-15 days of craftsmanship, contingent on the complexity of the design.

Moreover, our extensive archive boasts a collection of blocks amassed over the past 30 years. This repository not only reflects our heritage but also aids in preserving the essence of traditional textiles. Our perpetual goal is to foster an environment that upholds the value of these traditions, establishing a symbiotic relationship between the market and our products, skill, and tradition.

Colours & Dyes

We primarily employ two distinct colour processes: Pigments and Indigo Sol. Pigment dyes, akin to paint, necessitate mixing with a synthetic binder before application, as they are polymer-based dyes. The true colour becomes evident during the printing process, contrasting with Sol and Rapid dyes. After printing, the fabric undergoes heating in a chamber to ensure colour fastness against rubbing, washing, and sunlight exposure.

Indigo Sol, derived from an Indigo dye formula, also known as Soluble Vat dyes, explains the term "Indigo Sol." These dyes are blended with Arabic gum before application. Unlike Pigment dyes, Indigo Sol doesn't reveal its true colour during printing. Post-printing, the fabric undergoes processing in a mild acid bath, facilitating the fixation of the color.

We love when our products find new homes.